[EFF18P1] Prelude 1: Stephen Dwoskin

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http://eprints.org/relation/isVersionOf https://researchdata.bbk.ac.uk/id/document/1900 http://eprints.org/relation/isVolatileVersionOf https://researchdata.bbk.ac.uk/id/document/1900 http://eprints.org/relation/issmallThumbnailVersionOf https://researchdata.bbk.ac.uk/id/document/1900 archive 152 disk0/00/00/02/85 2026-08-19 10:22:45 2026-08-19 10:22:45 2026-08-19 10:22:45 data_collection show Temple Michael Birkbeck Barrington Matthew Birkbeck http://www.loc.gov/loc.terms/relators/CLB McCabe Janet 0000-0002-2916-9876 http://www.loc.gov/loc.terms/relators/CLB Yapp Emma 0000-0002-2646-6066 [EFF18P1] Prelude 1: Stephen Dwoskin CACC mcs public 10 February 2018, 13:00, Birkbeck Cinema Soundcloud Link: https://soundcloud.com/user-952189740/essay-film-festival-prelude-1-the-cinema-of-stephen-dwoskin-and-trying-to-kiss-the-moonwma This screening and discussion provided an introduction to the work of Stephen Dwoskin through his autobiographical montage-film Trying to Kiss the Moon (1994) and Anna Ambrose’s portrait The Cinema of Stephen Dwoskin (1984). Films: Trying to Kiss the Moon, Stephen Dwoskin, UK, 1994, digital, 95 minutes, English Telling Dwoskin’s story from his childhood in 1940s New York through to his adventures in the “international free cinema” of the 1960s and 1970s, and reflecting on the experience of disability, Trying to Kiss the Moon, wrote his friend Laura Mulvey, “tells the double story of memory, bringing together the beauty of its documents and the sadness of its elusiveness”. Since Dwoskin’s death in 2012, and in the context of those documents’ technological obsolescence, it has taken on new meanings. The Cinema of Stephen Dwoskin, Anna Ambrose, UK, 1984, digital, 60 minutes, English Produced for Channel 4 in its adventurous heyday, The Cinema of Stephen Dwoskin was directed by Anna Ambrose, who began her career as a prizewinning experimental filmmaker while studying at the Royal College of Art in the 1970s. She died in 1985, shortly after making her first feature Honour, Profit and Pleasure. Featuring interviews with Laura Mulvey and Raymond Durgnat, among others, The Cinema of Stephen Dwoskin was shot by Roger Deakins, latterly famous for his work with the Coen brothers. The films were introduced and discussed by a panel including Rachel Garfield (University of Reading), Jenny Chamarette (Queen Mary University of London), Darragh O’Donoghue (University of Reading), and Henry K. Miller (Slade School of Fine Art), with Alison Butler (University of Reading) as Chair. In collaboration with Reading School of Art 2023-07-26 Birkbeck College, University of London Essay Film Festival yes 2036-08-19 bimi metadata_and_data_files yes staff The Essay Film Festival, active since 2015, presents a global range of contemporary and restored essayistic works. The events are now archived here for research purposes. All film stills were provided by participating artists. 2018-02-10 2018-02-10