[EFF15P1] Prelude 1: The Notebook Film

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full_archive 1825 mp3 1205 3 4180 document 1205 [EFF15P1] Marlène Monteiro �Vincent Dieutre�s Leçons De Ténèbres - The Self - Portrait As Fragmented Self�.mp3 audio/mpeg d708b7e6ee99740488363cf4d2380fa4 MD5 33106963 2023-06-28 15:02:51 https://researchdata.bbk.ac.uk/id/eprint/228/6/%5BEFF15P1%5D%20Marle%CC%80ne%20Monteiro%20%EF%BF%BDVincent%20Dieutre%EF%BF%BDs%20Lec%CC%A7ons%20De%20Te%CC%81ne%CC%80bres%20-%20The%20Self%20-%20Portrait%20As%20Fragmented%20Self%EF%BF%BD.mp3 228 6 6 audio/mpeg audio EFF15P1 Marlène Monteiro, ‘Vincent Dieutre’s Leçons De Ténèbres - The Self - Portrait As Fragmented Self’ en public odc_by

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full_archive 2069 mp3 1206 3 4182 document 1206 [EFF15P1] Cecilia Sayad In Conversation with Michael Temple.mp3 audio/mpeg 1639f9aa2cd5e4f76710d2b029f9a16b MD5 42941125 2023-06-28 15:03:44 https://researchdata.bbk.ac.uk/id/eprint/228/7/%5BEFF15P1%5D%20Cecilia%20Sayad%20In%20Conversation%20with%20Michael%20Temple.mp3 228 7 7 audio/mpeg audio EFF15P1 Cecilia Sayad In Conversation with Michael Temple en public odc_by

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full_archive 2683 mp3 1207 3 4184 document 1207 [EFF15P1] Laura Busetta Jonas Mekass Self-Portrait Subjectivity Fragmentation And Displacement.mp3 audio/mpeg 20e9ff0c114f746e4168d559ceacc8a0 MD5 26198934 2023-06-28 15:04:23 https://researchdata.bbk.ac.uk/id/eprint/228/8/%5BEFF15P1%5D%20Laura%20Busetta%20Jonas%20Mekass%20Self-Portrait%20Subjectivity%20Fragmentation%20And%20Displacement.mp3 228 8 8 audio/mpeg audio EFF15P1 Laura Busetta, Jonas Mekas's Self-Portrait: Subjectivity, Fragmentation, And Displacement en public odc_by

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http://eprints.org/relation/isVersionOf https://researchdata.bbk.ac.uk/id/document/1203 http://eprints.org/relation/isVolatileVersionOf https://researchdata.bbk.ac.uk/id/document/1203 http://eprints.org/relation/isaudio_oggThumbnailVersionOf https://researchdata.bbk.ac.uk/id/document/1203 archive 152 disk0/00/00/02/28 2023-07-14 14:28:41 2026-04-14 11:12:21 2023-09-12 15:07:45 data_collection show Temple Michael Birkbeck Barrington Matthew Birkbeck http://www.loc.gov/loc.terms/relators/CLB McCabe Janet 0000-0002-2916-9876 http://www.loc.gov/loc.terms/relators/CLB Yapp Emma 0000-0002-2646-6066 [EFF15P1] Prelude 1: The Notebook Film CACC mcs public 16 January 2015, 18:00, Birkbeck Cinema This first session featured several examples of “notebook” films presented by Laura Busetta, Marlène Monteiro and Muriel Tinel-Temple, who had previously organised a study day entitled “Self-Portraiture in the Moving Image” at BIMI in 2014. The notebook film is a preparatory essay for another film to come, as well as a kind of foretaste to convince producers to finance the future film. It might typically feature the casting of actors, rehearsals with actors or technicians, exploration of locations, the testing out of ideas and possible narratives, or more general reflections from the director or other members of the team. In short, the film becomes an audiovisual “notebook” in which a future work is sketched out, and in that perspective these films exemplify one of the key features of the essay film, which is to show us the creative process of filmmaking. Films: Location notes in Palestine for The Gospel according to Saint Matthew [Sporalluoghi per il vangelo secondo Matteo], Pier Paolo Pasolini, Italy, 1965, DVD, 55 minutes, Italian with English subtitles Material shot during location research for the film The Gospel according to Saint Matthew (1964) becomes an essayistic reflection on the filmmaking process and the contemporary reality of Israel and Palestine. Scenario for Sauve qui peut (la vie) [Scénario de Sauve qui peut (la vie)], Jean-Luc Godard, Switzerland, 1979, DVD, 20 minutes, French with English subtitles In 1979, in place of the expected written screenplay, Godard submitted a 20-minute video scenario to the French funding body CNC (Centre national du Cinéma), a self-reflexive sketch of the proposed film, Sauve qui peut (la vie) (1980). Letter from a Filmmaker [Lettre d’un cineaste], Alain Cavalier, France, 1982, DVD, 13 minutes, French with English subtitles Composed for the French television programme Cinéma cinéma, which regularly featured such “letters from filmmakers”, this video-letter allows Cavalier the opportunity to reflect on the making of his film Thérèse (1986). Les Années quatre-vingt, Chantal Akerman, Belgium, 1983, DVD, 82 minutes [extracts], French with English subtitles Akerman’s essay film explores the preparation, funding and rehearsals for what would become her unique interpretation of the musical, Golden Eighties (1986). 2023-06-21 Birkbeck College, University of London 10.18743/DATA.00000228 Essay Film Festival http://purl.org/dc/terms/isPartOf /id/eprint/244 yes 2033-09-10 website archive, retain. bimi metadata_and_data_files no staff The Essay Film Festival, active since 2015, presents a global range of contemporary and restored essayistic works. The events are now archived here for research purposes All film stills were provided by participating artists. 2015-01-16 2015-01-16